Julio Sagreras

Argentine guitarist and composer Julio Salvador Sagreras (1879-1942) is known for his series of instructional resources, namely, Las primeras segundas y terceras lecciones de guitarra books 1-6. In my opinion, these collections remain as one of the most methodical and well constructed teaching resource to help students progress from beginner to intermediate to advanced levels.

What’s so special about the Sagreras studies? First, these studies help you read and identify notes and common techniques for guitar. Specifically, Sagreras emphasizes bringing out the melody line clearly, while reducing the volume of accompanying notes. Indeed, almost every exercise in Book Two stresses the importance of this technique.

Therefore, the melodies in each of the Sagreras lessons are absolutely stunning and gorgeous. Playing through the Sagreras studies will help improve your overall guitar tonality and sense of of control. Moreover, these are some of the best studies I’ve ever come across to help students read notes in upper positions of the guitar neck.

Sagreras Book 2 Lessons

Sagreras Book 1 is ideal for beginners and even early intermediate players. Book 2 starts right off with more complex guitar works for the intermediate level. Because I love these studies so much, I’ve started to post my performances of them on YouTube! If you lime these Sagreras lessons, please subscribe to my YouTube channel to stay informed!

Book 2, Lesson No.1

Sagreras Book 2, Lesson No.1 played by Jonathan Richter

Lesson 1 is marked “Aire de Barcarola” and “Melancólico”, meaning it should be played in the spirit of a melancholy boat song. The piece is a typical Barcarola in 6/8 time. As the chords slide up and down the lower end of the neck, one can certainly feel a sense of rocking, as though you’re sitting in a boat that’s swaying side to side.

This lesson is great for demonstrating how to slide basic chord shapes to form familiar chords, primarily in the key of A minor. Another goal of the piece as indicated by Sagreras is to try to keep squeaking to a minimum when gliding up and down the strings. I highly recommend this beginner classical guitar etude to anyone interested in taking their playing and note reading to the next level!

Book 2, Lesson No.3

Sagreras Book 2, Lesson No.3 played by Jonathan Richter

Lesson 3 is marked “Tiempo de Zamba”, based on a folk dance from Argentina. Similar to other Zambas, this etude is in 6/8 time and has some tricky rhythmic patterns.

The piece begins in A minor, briefly modulates to C major, then returns to the original key of A minor. Bringing out the accented notes, sliding swiftly and accurately, and keeping a steady tempo are all aspects that make this piece challenging–and exciting!

Book 2, Lesson No.5

Sagreras Book 2, Lesson No.5 played by Jonathan Richter

Even though this is the fifth study in Sagreras Book 2, many students find this one to be more difficult than subsequent studies that follow. The piece is dark, intense, and dramatic!

The goal of Lesson No.5 is to bring out the melodic bass line, while keeping a steady pulse with the accompaniment. The piece really opens up about half way through (measure 7) where the accompaniment switches from i-m to i-a, and the chord shapes shift up the neck. If you’re new to reading sheet music on the higher parts of the neck of the guitar, this study can be very helpful–especially on the A and D strings!

Book 2, Lesson No.6

Sagreras Book 2, Lesson No.6 played by Jonathan Richter

Lesson 6 is marked “Andantino”, which is a lighthearted tempo that’s slightly faster than Andante.

The goal of Lesson 6 is to clearly bring out the melody line in the upper voice played with the right hand ring finger (a). However, the i-m accompaniment adds to the complexity of this etude, as it frequently alternates between strings 2 and 3, and 3 and 4.

Lesson 6 also features the campanella technique in measure 17 (imitating the tone of a bell). This occurs when a the pitch you play of a lower string is higher than a higher open string–an essential guitar technique and sound.

Book 2, Lesson No.7

Sagreras Book 2, Lesson No.7 played by Jonathan Richter

The distinctive goal of Sagreras Book 2, Lesson No.7 is to carefully accent the right hand index (i) finger in each phrase. This results in an exciting syncopated feel to an arpeggio pattern that might seem somewhat “routine” otherwise.

Since the index finger needs to also accent the last notes in each chord phrase, the player has to be able to shift quickly and cleanly to prepare for the next sequence. Overall, Lesson No.7 proves to be one of the trickier early studies in Sagreras Book 2.

Book 2, Lesson No.8

Sagreras Book 2, Lesson No.8 played by Jonathan Richter

Similar to other studies in this collection, Lesson No.8 has an A and B section. However, this study is unique in that the character of the B section contrasts strongly to the A section–they almost feel like two different pieces!

After a relatively slow and melodic A section in the upper register, the B section takes off with a brisk and animated (“píu animato”) tempo with the bass line driving the melody. The piece ends with a swift chromatic run, followed by a dramatic finale.

Book 2, Lesson No.9

Sagreras Book 2, Lesson No.9 played by Jonathan Richter

Lesson 9 is in the key of D major, 6/8 time with the tempo marking “Allegretto cómodo”, meaning play comfortably fast. Yet again, Sagreras has given us a beautiful melody, surrounded by deceptively difficult harmonic material up and down the fretboard. Perhaps the most challenging part of this etude is precisely muting the bass notes while keeping up the lively tempo.

Book 2, Lesson No.10

Sagreras Book 2, Lesson No.10 played by Jonathan Richter

Lesson No.10 is in the key of E minor, and is a terrific study for practicing full chords with p-i-m-a with light syncopation. The movement of the chords up and down the fretboard is intricate, and yet this is just as much a right hand study as it is a left hand study! If you’re new to reading notes in the upper position, or get dizzy when confronted with reading chords or multiple notes stacked on top of each other–this is the study for you!

Book 2, Lesson No.11

Sagreras Book 2, Lesson No.11 played by Jonathan Richter

Lesson 11 is marked “Tiempo de vals”, meaning it’s a moderately paced waltz-like piece in 3/4 time. This Sagreras study in the key of A minor is dark and intense! The familiar “boom-chuck-chuck” rhythm of the waltz is interspersed with accented arpeggio phrases, and two measures of octave syncopation in the middle. If you’re new to reading notes in the fifth position (fifth fret), I highly recommend checking out Lesson No.11 by Sagreras!

Book 2, Lesson No.12

Sagreras Book 2, Lesson No.12 played by Jonathan Richter

This Sagreras study in the key of E major, and is very chordal (meaning it features lots of chords rather than single notes).

This etude is tricky for a couple of reasons: First, there are many delicate right hand shifts where a-m, a-i, and i-m have to play at the same time. Maintaining a consistent tone between these shifts while bringing out the melody is important and requires patience!

Second, Lesson No.12 helps you learn how to play a piece SLOWLY (Andante) with light syncopation in 6/8 time. Usually when we see a 6/8 time signature, our impulse is to play it like a quick dance piece! While this study is certainly lively, the most important to work on is keeping a steady tempo and consistent tone between the different voices.

Other Popular Guitar Works by Julio Sagreras

In addition to his collection of studies, Sagreras also has a couple of notable solo works that are popular to preform.

El Colibri

El Colibri (The Hummingbird) is the most well-known classical guitar piece by Julio Sagreras. The piece is full of melodic and scale runs at break-neck speed, so one can easily imagine a hummingbird flying erratically to and fro.

El Colibri by Julio Sagreras, performed by John Williams
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